Music has always been a fundamental key to my life. While growing up, I was surrounded by music everywhere I went. My parents’ music played constantly throughout the house and on the way to and back from school. Gospel music at least three times a week. And from my classes in school throughout my entire education. In my teen years, I took on piano lessons provided by my high school which then lead me into its percussion ensemble. I was provided the opportunity to not only practice my skill, but also dive into the shallow end of music theory. And looking to the present with 14+ years of a musical education, I have a both a higher respect and understanding for all that I listen to.

My journey into Japanese music was a slow paced one, I don’t even have an estimated time for when I started listening. It was always just… there. From the synth soundtracks of video games in the early 2000’s and all the way to the abrupt craze for 80’s city J pop in the US.

I remember an old PS2 game called Dark Cloud that had such an in captivating theme composed by Tomohito Nishiura. And from then on, Yoko Shimomura has been dropping absolute hits for me. From Kingdom Hearts all the way to my personal favorite of her work, Final Fantasy XV. A soundtrack that heavily influenced my own sound in making music.

I am a hard advocate for catchy beats and enchanting melodies. And J city pop has both of those. Although city pop is a newer genre of music in my playlist, I have come to be quickly consumed by it. I don’t really tie myself to any particular artists, but a few of big names tend to make a reoccurring appearance. Masayoshi Takanaka will always have a seat at my table. Along with Anri and Cindy.

I’m excited to be here and to journalize my journey into the world of Japanese music. I’ve only tasted the icing on this multi layered cake and I can’t wait to share with you all of my new findings.